FILMSKI LEKSIKON [Bosko Tokin Vladeta Lukic] on *FREE* shipping on qualifying offers. Filmski leksikon: A-Ž by Bruno Kragić · Filmski leksikon: A-Ž. by Bruno Kragić; Nikica Gilić;. eBook: Document. Croatian. Zagreb: Leksikografski zavod. Filmski leksikon. Front Cover. Bojan Kavčič. Modrijan, QR code for Filmski leksikon Performing Arts / Film & Video / History & Criticism. Export Citation.
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Her research interests focus on culture and politics in totalitarian and post-totalitarian societies around the world. Self-Reflections on Serbian Cinema He teaches the history of cinema and the history of Croatian cinema at the University of Split.
Filmski leksikon – Bojan Kavčič – Google Books
She has worked domestically and internationally as a strategy consultant and researcher. Writer and director based in Brooklyn, NY. He is a regular contributor to Croatian leksikkn and television, and has been publishing reviews, essays and other film-related texts on leksikln Internet sites as well as in the Croatian Film Chronicle Hrvatski filmski ljetopis. He is a member of several committees and film juries for various Croatian film festivals. Film critic and historian, and co-editor of Filmski leksikon He also edits Ubiq, a literary journal for science fiction, and has co-edited a critical anthology of Croatian science fiction stories.
She is author of Terror and Joy: Contributors’ Details Aida Vidan editor: Currently completing his Ph. She also holds an M.
Her short stories have been included in numerous Croatian and international anthologies. Graduate of School of Political Sciences in Zagreb where he studied political science and journalism and is currently writing his Ph. She is currently also working as a junior researcher on tilmski Croatian Glossary of Film Terms.
Ramet she co-edited Kazaaam! She wrote Imagined Dialogues: Since he has been a selector for the international film filmsski in Motovun and has served on several film juries, including the Berlin film festival in He has been involved in Croatian film for some fifty years in various capacities ranging from support actor as a studentto script editor, documentary director, distributor, director of the national Film Festival in Pula, president of the Croatian Association of Film Critics and lecturer of the history of Croatian film for ten years at the Academy of Dramatic Art in Zagreb.
His special lekskkon include media representations of gender and sexuality in Soviet and East European history. Before retirement he was a member of the Croatian Parliament. He is currently writing a monograph examining the changing portrayals of masculinity in Soviet film during the Khrushchev era and an essay on the cinematic representations of queer characters in post-Yugoslav film.
She lksikon currently writing a book on the impact of the Balkans wars of the s on literary and cinematic developments in the region. Graduate of the School of Humanities and Social Sciences, University of Zagreb, and filsmki present graduate student and instructor of film directing at the Academy of Dramatic Art in Zagreb. He has published six books of novels and short stories which have been translated into German, English, Italian, and Bulgarian.
Former editor for film, theater, and literature of the Third Program cultural program of Radio Zagreb, from — l assistant professor of literary history at the Department of Comparative Literature of the School for Humanities and Social Sciences in Zagreb, and from — principal editor of the Film Programming Division for Croatian Radiotelevision. Professor of Russian language, literature, and culture at Tufts University Boston and specialist in Soviet and post-Soviet, especially Russian and Central Asian, cinema.
A member of several film and theater boards, since also artistic director of Days of Croatian film Dani hrvatskog filma.
She is interested in multilingual writers and works on the 20th century American and Russian literatures, and South Slavic Oral Traditions.
He is a regular film critic and contributor to several Croatian daily newspapers. Film critic, screenwriter, and film scholar, who has published over journalist pieces on topics ranging from film, literature, language, to politics, and about twenty scholarly articles on Croatian film.
Some of her other projects concern Croatian Renaissance drama and the application of databases in researching oral poetry.
Cinema Prive – Filmski leksikon @SKCNS Fabrika
Her areas of interest include written and oral traditional literature from the South Slavic region, methodologies of teaching South Slavic languages, and film. American Influence on European Popular Culture, to Present Rowman and Littlefield,and is author of over thirty book chapters and articles. He is the screenwriter for the youth program, Kokiceat Croatian Radiotelevision where he also works as a film critic for the program Dobro jutro, Hrvatska as well as on the program Licem u lice for Croatian Radio.
Her interests include Yugoslav and Post-Yugoslav film and literature, translation, and Russian and European novel.
Film critic and publicist whose numerous articles and essays have appeared in newspapers, specialized arts and culture magazines, radio and TV programs, film publications, and lexicons.