I masnadieri (The Bandits) is an opera in four acts by Giuseppe Verdi to an Italian libretto by Andrea Maffei, based on Die Räuber by Friedrich von Schiller. I Masnadieri was first performed in at Her Majesty’s Theatre, London on July 22, The libretto is an adaptation of Schiller’s Die Räuber. I Masnadieri. Music by Giuseppe Verdi libretto by Andrea Maffei, based on Die Räuber by Friedrich Schiller Tragic opera in four acts. Première London, Her.
|Published (Last):||4 June 2012|
|PDF File Size:||10.49 Mb|
|ePub File Size:||12.3 Mb|
|Price:||Free* [*Free Regsitration Required]|
Arminio has followed Amalia from the castle because he is overcome by guilt at his part in Francesco’s wicked scheming.
In the end, the decision to present Macbeth in Florence came about because of the availability of a suitable bass, which Florence produced in the form of Felice Varesi. Physical Description 50 p.
Grosse komische Oper in two acts. Carlo, who with his band has engaged in battle with his brother, meets Amalia, but dares not reveal his criminal activities; he then encounters his father, who does not recognize him, from whom he learns the truth. Liibretto Wikipedia, the free encyclopedia.
Musicologist Julian Buddenwho describes Maffei’s libretto as “indigestible”,  agrees with this assessment when he states that, along with Salvadore Cammaranothe librettist employed by the composer for the first time in to write Alzirathere was “an exaggerated regard on Verdi’s part for the librettist” and he continues: I masnadieri is scored for piccolo, flute, two oboes, two clarinets, two bassoons, four horns, two trumpets, three trombones, cimbasso, timpani, bass drum cymbals, harp, and strings.
Amalia, having escaped into the forest, suddenly finds herself face to face with Carlo, who has returned because of his nostalgia for her and for his ancestral home. His younger brother, Francesco, deceitful and wicked, induces their father to disinherit Carlo, and sends him a mendacious letter telling him that he is forbidden to return home.
Although Carlo has sworn to change his ways, he has also given his oath of lifelong allegiance to his band of robbers. O sweet words” before he is disturbed by the arrival of Francesco and forced to flee the scene. Carlo reveals his identity, without mentioning his comrades, and there is a joyous reconciliation.
While never entirely successful elsewhere, perhaps at least in part for the inconsistencies and excesses of its libretto, following its premiere performances, stagings in Italy were quite numerous untilwith performances having been given in about 17 Italian cities, including three in Milan two of which were at La Scala between and In the concluding turmoil Carlo, overcome with hysterical fury, stabs his beloved in order not to involve her in the shame of his life as a bandit, and then heads for the gallows to pay for his crimes.
Nevertheless, his was the strongest portrayal on the disc. Actually, the letter was a lie, part of an attempt by Francesco to eliminate him and his father and take over the regency. The bandits vainly pursue Francesco and return to their leader with Amalia as their prisoner: Amalia and the Count are completely taken in; Massimiliano falls into a dead faint and Amalia, in a frenzy of hysteria, rushes offstage leaving a jubilant Francesco.
It is the first early opera not to open with a chorus nor to contain a concertato finale. Views Read Edit View history. As Gabriele Baldini in The Story of Giuseppe Verdi examines this opera, the quality of the libretto preoccupies him over several pages, as much for the unsuitability of Maffei as a librettist mxsnadieri his lack of skill in crafting Schiller’s story into an acceptable libretto.
Arminio describes how he fought alongside Carlo for Librett Frederick in a battle for the city of Pragueand how he saw him mortally wounded.
Aria Database – Search the Database
He got as much out of I Masnadieri as was possible. There are lots of leather, fedoras, and automatic weapons. Setting fire to Prague seems a lark rather than a monstrosity.
Maffei himself worked to complete the libretto of the Schiller opera with the composer. Comments and reviews What are comments? From the masnadjeri on, the work has begun to reappear in the repertoire.
Amalia, who loves and is loved by Carlo, is also molested by Francesco, but manages to escape, while the father, who has survived, is held prisoner in a tower. In other projects Wikimedia Commons. The robbers reappear and report that they had not been able to capture Francesco. La Esmeralda La Esmeralda: Carlo Moor, son of Count Massimiliano, is a young man of noble sentiments, although his impetuous temperament has caused him to lead a wild life.
Lumley had assembled a cast of the highest international standard, specifically the Swedish coloratura soprano Jenny Lind, who came to create the role of Amalia, the opera’s heroine.
Music composed by Giuseppe Verdi. Referring to some of the conflicting elements of the libretto referred to above, Baldini quotes from Basevi’s comment on the unsuitability of the music to the harshness of the text:. Subjects Verdi, Giuseppe, For example, he notes that “the arbiters of taste in London still found Verdi’s music disagreeably violent and in making the tenor the focus of dramatic interest he failed to exploit popularity enjoyed in the city by Jenny Lind”,  but he goes on to state that “Verdi fashion[ed] his music as much to match the talents of his performers as the requirements of his dramatic theme.