It took me over 6 months to dig into every aspect of the “prototypes” (the leaves of the big tree). Then I could build more complex patches (the branches of the. The preeminent DSP system is Kyma by Symbolic Sound. You derive your own sounds from an assortment of prototypes which are complete enough to make. Our work is largely experimental, and is not intended to substitute the excellent Kyma spectral processing native prototypes. Rather, we hope to extend them into .

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Parameter automation Use the Controller editor at the bottom of the timeline to draw time-varying parameters for sounds in the timeline. Hi Jean, Working with the Kyma like you, i tried your first sound and found the way to make frozen sound but how vocalize them?? I would even be willing to pay money kkyma these patches from you so I could pull them apart and have them as a starting point for my own sounds. Sound Browser Use the Sound Browser to quickly locate the sound you need from among the over one thousand sounds and effects in the Kyma Sound library.

Thanks for the free scapes sound bank and I just saw transform so will probably buy that too Keep up the good work! Use MIDI pitch-bend to scrub. Drag modules from the Prototypes into your own custom signal flow diagrams.

Since it doesn’t work to drop it just anywhere between Noise white and the speaker nothing happensthe plus sign a seemed to be the thing that wanted to have things dropped on it and b the only thing I could find – at least at first – that would work. The number of tracks is unlimited; to create a new one, simply drag a Sound into an empty area.

You could think of the timeline as a “process scheduler”. I’m not sure what I have and haven’t saved at that point. Hey Jean-Edouard… any chance you can upload your Sounds to Kyma:: I later realized that my problem was that I should not be dropping the TwoFormantElement? You can also record your Virtual Control Surface and MIDI fader moves, or extract a frequency or amplitude envelope from an audio signal and use it as a controller.

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Jean-Edouard September 12th, Parameters changes take effect immediately, giving you highly responsive, accurate control over every parameter of your sound. Virtual Control Surface Interface.

The colors indicate intensity, with yellows and greens indicating the highest amplitudes and purples and blues indicating lower amplitudes. Or roll the dice and take a random walk through timbre space. Examine and edit the parameters of the selected module in the lower half of the signal flow editor.

A built-in wave editor lets you prohotypes and modify samples. Both A and B have yellow traingles next to them and I want to keep changes to A but discard those for B.

Danijel August 29th, Obviously, kya a little percentage of that was used, because some of it was intended for some other projects. Jean-Edouard September 3rd, Pacarana The Pacarana sound computation engine is a multiprocessor computer dedicated exclusively to sound computation with 2 gigabytes of sample RAM. I decided to record a recent Canon model click and tweak it in a sample freezer that I have previously built in Kyma. This happend to me as I was working through the tutorials and editing both my own Sound File A and one from Kyma’s “factory presets” B.

This was a very good learning experience that opened my mind on what a sound actually is: Click the selector button to try out an effect on a sample from your own library. I was going through my libraries protktypes to ratchets when I came down on an click of an old 35mm camera.

Virtual Control Surface Each sound has its own Virtual Control Surface where you can adjust its parameters in real time. If I have several unrelated yellow triangled sounds in the sound browser, when I refresh the browser it seems I have to save all or none.

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Timeline Layer and sequence your sounds by dragging them into the timeline. Thanks Lematt for the tips. Use the spectrum editor to audition or modify the selected partial s.

In the Virtual Control Surface, you can choose from a list of presets. Rotary controls are mapped to the continuous rotaries on the Motor Mix, switches and buttons turn lights on and off on the Motor Mix switches, motorized faders on the Motor Mix jump to the same positions as their counterparts on the virtual control surface, prototypss the parameter names appear on the LCD scribble strip at the top of the Motor Mix.

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Use the timeline to spatialize tracks or individual kymz within the tracks. E-MAIL required – will not be published. To apply an effect to a Sound in the timeline, simply drag a module from the palette at the top of the screen or from the Sound Browser, and drop it onto the sound in the timeline. GiGi March 2nd, Invites me to “use one sound as an input to another” which I was dying to do, but I had no idea how prtootypes. Distressor April 10th, Working with the Kyma like you, i tried your first sound and found the way to make prottoypes sound but how vocalize them??

Tweaky and let me know, or email me direct in either prototyped Thanks a lot in advance and keep coming with these!

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At this point I haven’t read the Timeline stuff – I skipped to Part 2 from page 45, so I could find out about making sounds. From Left to right: Prohotypes J-ed, would be great see some of the sounds as a post! Click here to cancel reply. You can create rich and unique sounds straight out of the box. I really like the Kyma info thanks for sharing as I got one toogreat reel by the way.

Storing a value in an EventVariable Near the bottom of the first column, change: There is no way to save just that one Sound to the disk; you have to save the entire Sound file. Frequencies and amplitudes are nothing else than a sequence of digits that can be modified mathematically. If I go to refresh the browser it asks me whether Kyms want to save or discard changes.