Find composition details, parts / movement information and albums that contain performances of Amor dormiglione, cantata (“Amor, on AllMusic. Amor dormiglione. By Barbara Strozzi, Constantinople, Suzie LeBlanc. • 1 song, Play on Spotify. 1. Amor dormiglione – Barbara Strozzi, Suzie. i. Non es-ser, non es-ser A-mor dap po. – co. Stra – li, stra. – li fo – co,. -. -. -. -. -. -. -. -. 15 glia-no i gua. – dor. – mi tu. Dor. -. 10 mon le gio ie mie,. Ve. – sù.

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What I like about this piece is how even dormiglikne it is in Italian, you can understand that the song is meant to be sort of playful. Non esser, non esser, Amor, dappoco! By continuing to use this website, you agree to their use. FRE List of language codes. You are commenting using your Facebook account.

Su, su, svegliati omai, che mentre dormi tu dormon le gioie mie, vegliano i guai. The voice sings over a full octave rage throughout the piece and is accompanied by a simple yet also melodic bass line most likely improvised by the accompanist on a type of lute using the provided figured bass, called basso continuo.

Amor Dormiglione para canto y clave /Barbara Strozzi () | Patricia Castillo

O pigro o tardo tu non hai senso, Amor melenso Amor codardo! Strali, strali, foco, strali, strali, su, su, foco, foco, su, su!


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dormiglone This site uses cookies. Notify me of new comments via email. Your gift is greatly appreciated. Ahi quale io resto che nel mio ardore tu dorma Amore: You are commenting using your WordPress. Not all the material on this website is in the public domain. It is illegal to copy and distribute our copyright-protected material without permission. To find out more, including how to control cookies, see here: Overall, the piece follows an A-B-A structure and is sectional.

Available translations, adaptations or dormlglione, and transliterations if applicable: Leave a Reply Cancel reply Enter your comment here Notify me of new posts via email. Email required Address never made public. The expressive style of the vocalist and the embellishments that Strozzi wrote make the piece very interesting and enjoyable to listen to as the playful character remains constant throughout the piece.

Throughout the piece, the dofmiglione melody is mostly disjunct with its many leaps while the bass line is mostly conjunct as it plays series of chromatic sequences. I think Strozzi does well in pushing the boundaries of her time as the piece has a relatively Renaissance sound to vormiglione.

Amor dormiglione, cantata (“Amor, non dormir più!”), Op. 2

Text added to the website: The bass line is also very supportive of the melody as it ascends and descends with it. Odrmiglione piece was written for a solo soprano and a melodic bass instrument.


Our research has never had any government or institutional funding, so if you found the information here useful, please consider making a donation. For more information, contact us at the following address: The title translates to Sleepyhead, Cupid, and the lyrics urge Cupid to stop sleeping so he rormiglione shoot his arrows of love and stop being lazy. The turn in the B section shows how increasingly irritated the singer becomes with Cupid with its contrasting meter and melodic features that create great word painting which is apparent in the A sections as well.

This piece embodies monody, one of the new innovative styles of the early Baroque period that features an expressive solo melody with a simple chordal accompaniment.

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