Arsilda, Regina Di Ponto is Vivaldi’s fourth opera. First performed in at Teatro Sant’Angelo in Venice, its author’s ambition was to establish his nascent. Antonio Vivaldi composed Arsilda, Regina di Ponto for the Venetian theater of Sant’Angelo in the fall of While Vivaldi had, by its debut. Antonio Vivaldi – Arsilda, Regina di Ponto Slovak National Theatre, Bratislava – Václav Luks, David Radok, Lucile Richardot, Olivia.

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Vivaldi Arsilda Regina di Ponto, RV |

This Harold en Italieop. Her own aria at arsildda end of Act 1 features two obbligato harpsichords, to charming effect. Send a link to this article to a friend with an optional message. There is, therefore, a relative dearth of recordings of his operas, and any contribution is appreciated. Hence, the edition is public domain in its country of origin or a government publication.

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The names of Belfast-born soprano Heather Harper and Kansas-born tenor James King may not resonate for younger music lovers, but they sure do for folks my age. While Vivaldi had, by its debut, been an important member of Venetian musical culture for over a decade as a violinist and composer, he had begun composing only three years earlier.

Vivaldi: Arsilda, Regina di Ponto

Work Title Arsilda, regina di Ponto Alt ernative. More information about this can be found here.

arsipda The true Tamese, meanwhile, is disguised as the palace gardener, and both Arsilda and Lisea have an unexplained attraction to him.


The playing is light and airy and the speeds are well judged. The longest, at five minutes, is for Tamese: Domenico Lalli, his librettist, who settled in Venice in after fleeing his native Naples upon vivaldj charged with embezzlement, was one of the most important librettists of the first decades of the eighteenth century.

Superlative Lohengrin from Bayreuth, The names of Belfast-born soprano Heather Harper and Kansas-born tenor James King may not resonate for younger music lovers, but they sure do for folks my age. This recording features the Baroque vlvaldi of Modo Antiquo, an ensemble with particular expertise in the music of Vivaldi and his contemporaries.

Vivaldi Arsilda Regina di Ponto, RV700

Instead, they are fantastical, dealing with such things as the fairy world and sorcerers, or with the world of dreams. Simile arias appear in vivladi, such as Arsilda’s Act 2, sc. Works by Chabrier, Poulenc, Ravel, Satie et al. Gramophone products and those of specially selected partners from the world of music. Mary Macklem University of Central Florida. The all-time greats Read about the artists who changed the world of classical music.

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Arsilda is a typical early eighteenth-century plot in its use of love intrigues, mistaken identities, and musical features such as simile arias. While at times the sound quality of the recording could be more focused, with low frequencies at times overwhelming the vocal lines and occasionally making comprehension of the text difficult, the recording overall gives wonderful insight into Vivaldi’s characterizations and skill at both instrumental and vocal writing.


Skip to main content. Arsilda, regina di Ponto. Lucia Sciannimanico and Joseph Cornwell stand out in a uniformly good cast. Creative Commons Attribution 3. The libretto was by Domenico Lalli, who had provided the words for Ottone in Villa three years earlier, inand was to collaborate with Vivaldi on several later vivalddi.

Contents 1 Performances 1. All of the singers on this recording convey the individual characterizations with knowledgeable awareness of performance practice and attention to phrasing, dynamics, and ornamentation. Whether you want to see what we think of today’s latest releases or discover what our critics thought of your favourite recordings from the past, you will find it all in our full-searchable Reviews Database.

Fipple-flutes are used for pastoral settings, for example, while horns are used for the hunting scenes. Sardelli is working on a critical edition of Arsilda for Istituto Antonio Vivaldi; in his authored excerpt in the afsilda notes, he points out his intention to implement both a musical and a musicological approach towards Vivaldi’s operas.

Opera seria ; Theatrical Works ; Operas ; For voices, orchestra ; Scores featuring the voice ; Scores featuring the orchestra arsilea For voices with orchestra ; Librettos ; Writings ; Italian language.

Such editions are also public domain in Canada because they fail to meet the minimum ‘threshold of originality’ to qualify for copyright as an ‘adaptation’. Barzane is betrothed to Lisea. Printer Version Send to a Friend.