Hélène Cixous did not mince words when she published “Le Rire de la Méduse” (“The Laugh of the Medusa) in , where she claimed that. In her seminal work “The Laugh of the Medusa” feminist thinker Helene Cixous deals with the topic of feminine writing. Her main point in the. Hélène Cixous, in “The Laugh of the Medusa,” advocates new ways of thinking and writing about women and literature. The essay has become a staple of.

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Real men take pride in remaining impassive. Queer is a torsiona twist.

Cultural Reader: Short summary: The Laugh of the Medusa / Helene Cixous

The European Graduate School. I came to know his drives, and I could sense the finest changes in his moods and stand aside for self-protection. If I must, I can accept that as ‘man’, I write ‘man’, but mine is a dialect that as yet even I hardly recognize.

Trivia About The Laugh of the I have no objection to it unless they exclude men from the medium of this voice and I don’t think they do.

He tried to teach me. Keith Cohen and Paula Cohen, And she’s not deadly.

Hélène Cixous and the myth of Medusa

I found the words I wanted: By using this site, you agree to the Terms of Use and Privacy Policy. Dec 11, Arcadia rated it it was amazing.

Besides, my reaction has little, if anything, to do with reason or ideas or clever sequences of words. I was other to his passion for prowess and performance and control and mastery, and to his pride in achievement. Just a moment while we sign you in to your Goodreads account. I don’t know, but I want to give it another chance albeit at some vague point in the future before rating it. That only seems fair.


It gave me the words to regroup and attack or deflect, but not to embrace.

Cixous offers a book that holds different and diverse viewpoints about feminism, gender studies, literature, critical thinking and psychoanalysis. It was inseparable from sharing my life with a loved one, knowing she also loved me. The way that Cixous compels women to write is too persuasive–she makes me feel guilty for not writing more!

They need to be afraid of us. There was no starting point. The high rating comes not from the actual work itself because I find that I was not impressed with her writings. I knew the exclusions of women – from public life, from the kaugh. He then passed this ophidian head on to the goddess Athena, who also used it as a weapon: Your body m New goal: This was all alien to me.

Retrieved 2 November I knew nothing of sexual conquest, I thought sexuality was about mutuality, trust, honesty, sharing. I don’t care about gender hierarchies, I think it is completely against the ideas and ideals of feminism but I understand the distinction she makes between female and male voices in writing.

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I listened to their tales and felt my otherness descend on me like an accusation. Anyway, it was ok, I guess. My difference was a problem a threat? Men say that there are two unrepresentable things: It was about inventiveness; about finding new and interesting things about my partner, and about myself. I was other to his unerring insight into the weak point and his drive to exploit this for whatever greater good he may conceive.


It gave me a uni-dimensional understanding when I wanted wisdom. The essay includes the argument that writing is a tool women must use to advocate for themselves in order to acquire the freedom women have historically been denied.

The Laugh of the Medusa

But these were inextricably enmeshed with words that created a new opposition and excluded me: Use her body to reclaim the whole self and cease being the shadow of man. I could see how women’s sexuality, their dreams and hopes, their care and openness, their vulnerability, their ideals were all constantly thrust back at them, used on them like scythes. Feb 13, Ellie rated it really liked it.

Be the first to ask a question about The Laugh of the Medusa. It was growth and learning. Her reading of Derrida finds additional layers of meaning at a phonemic rather than strictly lexical level.