1-+ 1 ~:haptr,ztroduction HEXATONICS llexatonic scales are six note scales. One way to create a hexatonic scale is to combine the notes of two. I ordered Jerry Bergonzi’s Hexatonics book, the seventh volume in his Inside Improvisation series. I had looked through some of his previous. Jerry Bergonzi: INSIDE IMPROVISATION SERIES VOLUME 7: HEXATONICS, Paperback Book & CD Package, All Instruments, and thousands more titles.

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Berklee Jazz Harmony What follows is berginzi list of different melodies derived from this hexatonic scale. Is there some sort of system or are they just presented randomly?

Chord G 7 sus G t.

[PDF] Jerry Bergonzi Vol 7 – Hexatonics – Free Download PDF

Some hexatonics are hdxatonics sounding against a chord type. Die D triad over C triad The reason the D triad is over the e triad is because it is more consonant sounding than e triad over the D triad. Serious Resources for Serious Players View my complete profile.

Jerry Bergonzi – Inside Improvisation Vol. Ordinarily, that symbol would mean a D triad over a e bass note.

Rendering these scales in the form of triad pairs yields more variety in tone color and suggests novel melodic hexatonicd. Jerry Bergonzi vol 3 – Jazz Line Education. For example, over the C-7 chord, try any these hexatonics: Each of the triads expresses a tonality.

Jerry has the triad pair written above the staff and the actual chord change written below it. Donate to Casa Valdez!!


Also, does Bergonzi basically cover all of the material in the Campbell book or are they complementary? George Russell’s ‘Lydian Chromatic Concept’. See also Chapter 9. Jerry Bergonzi vol 4 – Melodic-Rhythms Education. The “stand alone” sound is oftentimes enough to make a strong, effective melodic statement regardless of how it is or isn’t relating to the harmony over which it is being used.

If you invert these triads and voice the C triad on top of the B triad, minor 9th intervals are sounded. George Coleman on YouTube Textural variety for improvisation the search continues Jerry’s book is more practical than Gary’s book. Hans-jorg Rudiger for suggestions and putting it all together. Many modern piano players use hexatonic voicings by stacking the triads to create aparticular harmony.

Inside Improvisation Series, Vol. 7: Hexatonics: Book & CD

J Due to the nature of this book and to economize space, hexatonlcs word triad will be omitted after the pitch name. Natural 11 on a dominant chord is an avoid note but it sounds fine when used in passing. Yes, here they are. Triad pair are basically the same thing as hexatonic scales. Thousands of pages of Jazz transcriptions! Jerry Bergonzi- Vol 2 – Pentatonics Documents. Played over it sounds the: The built on these two augmented triads follows a pattern of minor third, half step, minor third, half step, etc.

When the B triad is voiced over the C triad, major 7th intervals are sounded.

Jerry Bergonzi Vol 7 – Hexatonics

D triad over e triad can be written and played in any inversion, for example: For example, over the D-7 chord, try any of these hexatonics: On an F7 chord, it sounds the: The triads offer a skeleton structure to base lines on.


I had looked through some of his previous books but this one looked the interesting to me.

Here are some great links to free sax solo transcriptions- Sax solos link Lucas Pickford’s transcriptions Charles McNeal’s tra It is useful to note that chord symbols can leave a lot to be desired and may not bergonz capture what the composer had in mind. Rather than practice all of them, select a few, and play them in all keys in order hexatoniics gain flexibility with these hexatonics.

In other words, why start with Major a whole step up followed by minor a whole step above a Major triad? On a minor 7th chord, the upper Wad sounds the 9, n 1 and The sixth hexatonic is two minor triads a whole step apart. Newer Post Older Post Home. This hexatonic can be played over many different chords. Try antiCipating the dominant chord by playing the hexatonic on berhonzi preceding minor 7 chord. Programma del triennio di di