Miguel Llobet Solés: Variations on a Theme by Sor for guitar, Op – Play streams in full or download MP3 from Classical Archives (), the. Variaciones sobre un tema de sor op. 15 (). Filed Under: Llobet. Miguel Soles Tagged With: Variations · Fullscreen Variations on a Sor theme Op. Miguel Llobet Solés was a classical guitarist, born in Barcelona (Catalonia, Spain ). Llobet was a Theme of Fernando Sor and 10 variation.

Author: Mujora Zusar
Country: Oman
Language: English (Spanish)
Genre: Finance
Published (Last): 25 October 2015
Pages: 493
PDF File Size: 7.89 Mb
ePub File Size: 19.75 Mb
ISBN: 878-1-66029-612-8
Downloads: 47463
Price: Free* [*Free Regsitration Required]
Uploader: Tojajinn

Miguel Llobet Solés – Variations on a Theme by Sor for guitar, Op – Classical Archives

Just I would have simply said ‘read’ rather than ‘sight-read’. If you are drawn to the theme try searching for ‘folies d’espagne’ or ‘la folia’, you should find lots of examples for guitar.

Board index All times are UTC. Is it more difficult than the Sor Mozart variations. The finale is truly the best finale ever!

Classical Guitar Skip to content. The sor mozart variations i can also sight read and learn easily but i was referring to playing at tempo cleanly with virtuosity. Last edited by 19thcenturyguitarist on Tue Jun 07, 6: Robertjust an aside but what do you colonial fellows call it when someone performs a piece for the first time, reading from music and which they’ve never seen before?

Because he’s a teacher and having seen it used this way quite often on DC I was mildly curious that there must be some other way of designating ‘playing at first sight’. Sounds like a fund piece to learn and play But wanted input before I bought the score. I think i will stick to some easier stuff as i would rather play a lessor piece beautifully than take on a difficult on and look shoddy.


The Left hand solo variations for example, as well as a variation in varitions hamonics. Learned and played it all at tempo in a week.

Our website is made possible by displaying online advertisements to our visitors.

For example if one hasn’t seen or played the music in a long time. If it feels like sight reading one may be inclined to use the term. The Sor, on the other hand, I can pretty much sight read cold.

Please consider supporting us by disabling your ad blocker on our website. DofpicRobertjust an aside but what do you colonial fellows call it when someone performs a piece for the first time, reading from music and which they’ve never seen before? I think that if you have to ask how hard a piece is, this one may be a bit of a reach for you.

Variations on a Theme by Sor for guitar, Op.15

I don’t think there’s a usage difference between countries, but I have noticed that the term is frequently misused. At first sight it appears quite easy but, to present well, it demands a precise and neatly controlled technique as well as offering the possibility of a little virtuosic flourish if you can achieve a certain briskness of tempo. As a matter of fact it isn’t based on a theme of Sor at all but on ‘Les Folies d’Espagne’, a very old progression that has been set in variation form by hundreds of composers and for all kinds of instrumentation.


Llobet Sor variations how difficult? We’re tested for it as part of the ‘Grade’ system As with losing one’s virginity, one can only sight-read a piece of music once.

Classical Guitar

Forum guitare classique – Forum chitarra classica – Foro guitarra clasica – Free sheet music for classical guitar – Variationw. Here is my post topic with a performance by Viloteau: The Llobet Variations is one of the most challenging pieces vafiations the CG, with lots of great technical challenges all rolled into one piece.

I play the Llobet, and if I’m performing it I have to really be on top of practicing it.

What it doesn’t have are the ‘showy’ variations in harmonics or for left hand alone. I noticed before that the term is used differently in the US but have never read the US equivalent of our use so: That’s what we in the UK call ‘sight reading’ ie.

It’s typical Giuliani – deceptively simple construction, a nod towards virtuosity, a brief flirtation with lyricism and rounding off with a characteristically exuberant finale. It is fun to play!